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	<title>Layers Magazine &#187; Hardware</title>
	<atom:link href="http://www.layersmagazine.com/category/reviews/hardware/feed" rel="self" type="application/rss+xml" />
	<link>http://www.layersmagazine.com</link>
	<description>The How-To Magazine for Everything Adobe. Quick tips and tutorials for the entire Adobe Creative Suite.</description>
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		<title>Olympus E-620</title>
		<link>http://www.layersmagazine.com/olympus-e-620.html</link>
		<comments>http://www.layersmagazine.com/olympus-e-620.html#comments</comments>
		<pubDate>Wed, 11 Nov 2009 18:15:43 +0000</pubDate>
		<dc:creator>Steve Baczewski</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=10445</guid>
		<description><![CDATA[The 12.3-megapixel Olympus E-620 is one of the lightest, most compact DSLRs on the market.]]></description>
			<content:encoded><![CDATA[<p><strong>LIGHTWEIGHT, COMPACT DSLR</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/novdec09/olympus.jpg" alt="Olympus E-620" title="Olympus E-620" class="imgrt" />The 12.3-megapixel Olympus E-620 is one of the lightest, most compact DSLRs on the market. It succeeds Olympus’s E-520 and inherits features from the higher end E-30 DSLR. The E-620 has built-in image stabilization that works with any Four Thirds lens, and an articulated 2.7&#8243; LCD that makes shooting with Live View efficient. Buttons on the back are illuminated for easy identification in low-light shooting, and Olympus has added the E-30’s wonderful Creative Art and Multiple Exposure filters to the E-620’s conventional command dial. Curiously, the E-620 bucks a trend by not including video capture—a compelling feature in this very competitive price range. </p>
<p>The plastic body feels solid; however, it has no weatherproofing seals and the comparatively shallow grip might feel uncomfortable in big hands. The overall design facilitates familiarity via quick access to frequently used features. It uses dedicated buttons for features such as Live View and Image Stabilization, plus an onscreen superpanel provides all the options for features including white balance, metering, and image quality. To a great extent, scrolling through menus is eliminated.</p>
<p>The camera records in RAW and JPEG formats and has slots for CompactFlash and xD memory cards. The RAW format is supported in both Lightroom and Adobe Camera Raw. The E-620 and E-30 use the same Four Thirds Live MOS image sensor; however, the algorithms and digital engines vary and the resulting image quality in the E-620 files, although not terrible, contain comparatively more noise when shooting in either low light or ISOs greater than 800. In general, image quality is quite good, especially at ISOs under 800.</p>
<p>The files have a wide dynamic range filled with shadow and highlight detail, and hold up to make 17&#215;22&#8243; prints. The sensor offers a choice of four aspect ratios—4:3, 6:6, 16:9, and 3:2—and the cropped areas are displayed in Live View mode. The optical viewfinder is slightly larger than the E-520, but I found it difficult to see the information displayed at the bottom—something to consider if you wear glasses. The E-520’s three-point AF viewfinder system has been replaced with a fast seven-point system that covers a wider area and provides for quick, smooth focusing. Continuous shooting is slightly faster at 4 frames per second versus 3.5. The five-mode metering system and shutter speed range of 60 seconds to 1/4000, plus Bulb, are the same as on the E-520. </p>
<p>The Multiple Exposure filter is a hoot. It allows you to take a shot and then view and compose another subject on the same frame, all while maintaining the original image onscreen. </p>
<p>The 2.7&#8243; 230,000-pixel, articulated LCD facilitates composing subjects at low or high angles, greatly improving the functionality of Live View. It holds up relatively well in bright light. Displays in Live View include an alignment grid, a live histogram, and four live thumbnail previews of different white balance or exposure compensations to help you visualize your image before exposure. Live View offers three AF modes and appears snappier than previous iterations, but it’s still no match for the optical viewfinder when shooting a moving subject. When using Image Stabilization (IS) with Live View, the stabilized effect appears only briefly on the LCD. I preferred the E-520’s implementation, which held the stabilized image as long as you depressed the shutter button half way. Still, the E-620’s IS is effective and compensated for movement up to about three stops—it was rock solid at 1/15 second. The E-620 is a budget-minded, solid, easy-to-learn DSLR.&mdash;<strong>Steve Baczewski</strong></p>
<p><strong>Company:</strong> Olympus America Inc.<br />
<strong>Price:</strong> $699.99 with 14–42mm lens<br />
<strong>Web:</strong> <a href="www.olympusamerica.com" target="_blank">www.olympusamerica.com</a><br />
<strong>Rating:</strong> 4</p>
<p><strong>Hot: </strong> Built-in wireless flash remote; effective dust-removal system<br />
<strong>Not: </strong> No video capture</p>
<p><strong>Olympus E-620 images</strong></p>
<p>Click on a thumbnail for a larger image. All images ©Steve Baczewski.</p>
<p><a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/5to3.jpg" title="Double exposure in camera" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/5to3_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/beach_rocks.jpg" title="" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/beach_rocks_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_100.jpg" title="ISO 100" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_100_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_200.jpg" title="ISO 200" class="thickbox"> <img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_200_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_400.jpg" title="ISO 400" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_400_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_800.jpg" title="ISO 800" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_800_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_1600.jpg" title="ISO 1600" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_1600_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_3200.jpg" title="ISO 3200" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/iso_3200_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/jim.jpg" title="" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/olympus_e620_mike/jim_thumb.jpg" alt="example shot" /></p>
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		<title>Canon PowerShot SX1 IS</title>
		<link>http://www.layersmagazine.com/canon-powershot-sx1-is.html</link>
		<comments>http://www.layersmagazine.com/canon-powershot-sx1-is.html#comments</comments>
		<pubDate>Tue, 10 Nov 2009 19:08:07 +0000</pubDate>
		<dc:creator>Mike Mackenzie</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=10443</guid>
		<description><![CDATA[The SX1 IS includes full HD video capture (1920x1080 at 30fps), 25 shooting modes, and a host of other features.]]></description>
			<content:encoded><![CDATA[<p><strong>SUPERZOOM COMPACT CAMERA WITH HOT SHOE</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/3.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/novdec09/canon_sx1.jpg" alt="Canon PowerShot SX1" title="Canon PowerShot SX1" class="imgrt" />When the Canon PowerShot SX1 IS arrived, I was eager to put it to work. After all, a compact camera with a 20x optically stabilized zoom lens and RAW capture is enticing. </p>
<p>The SX1 IS includes full HD video capture (1920&#215;1080 at 30fps), 25 shooting modes, and a host of other features, but the obvious star of this camera is the f/2.8–5.7, 20x zoom lens (28–560mm equivalent). Zoom operation is smooth, it’s quick to focus, and photos are sharp with nice color. The not-so-obvious star (but the scene-stealer for many) is the ability to capture RAW files. More compact cameras should include RAW capture, so thank you, Canon.</p>
<p>This camera is easy to use thanks to the thoughtful ergonomics, straightforward menu, and flexibility of the lens. Users can compose shots on the vari-angle 230,000-dot, 2.8&#8243; LCD, which holds up quite well in bright light, or with the electronic viewfinder. The quality of the viewfinder was so marginal that I didn’t use it.</p>
<p>The 10-megapixel SX1 IS is billed as a serious camera. It’s the first PowerShot to incorporate Canon’s CMOS sensor, something previously reserved for their EOS cameras. It also uses the DIGIC 4 Image Processor with Face Detection Technology, Intelligent Contrast Correction, and Red-eye Correction. Photos are well exposed and contrast is excellent. So I have to ask why is noise evident at ISO 200 and prevalent at ISO 400? I wouldn’t use this camera above ISO 200.</p>
<p>One other problem is that with all these high-end features, and the high-end price, Canon made the power source four AA batteries. This camera deserves better, and the price demands it. Shoot at a low ISO and pack plenty of spares.&mdash;<strong>Mike Mackenzie</strong></p>
<p><strong>Company:</strong> Canon U.S.A., Inc<br />
<strong>Price:</strong> $599.99<br />
<strong>Web:</strong> <a href="www.usa.canon.com" target="_blank">www.usa.canon.com</a><br />
<strong>Rating:</strong> 3</p>
<p><strong>Hot: </strong> RAW capture; stabilized 20x zoom lens<br />
<strong>Not: </strong> Noise; AA batteries; price</p>
<p><strong>Canon PowerShot SX1 IS images</strong></p>
<p>Click on a thumbnail for a larger image. All images ©Mike Mackenzie.</p>
<p><a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/28mm.jpg" title="28mm" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/28mm_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/560mm.jpg" title="560mm" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/560mm_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/christy.jpg" title="Christy" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/christy_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/flamingo.jpg" title="Flamingo" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/flamingo_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_80.jpg" title="ISO 80" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_80_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_200.jpg" title="ISO 200" class="thickbox"> <img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_200_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_400.jpg" title="ISO 400" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_400_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_800.jpg" title="ISO 800" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_800_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_1600.jpg" title="ISO 1600" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/iso_1600_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/kayaks.jpg" title="Kayaks" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/kayaks_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/macro.jpg" title="Macro" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/canon_sx1_mike/macro_thumb.jpg" alt="example shot" /></p>
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		<title>NVIDIA Quadro FX 4800 for Mac</title>
		<link>http://www.layersmagazine.com/nvidia-quadro-fx-4800-for-mac.html</link>
		<comments>http://www.layersmagazine.com/nvidia-quadro-fx-4800-for-mac.html#comments</comments>
		<pubDate>Thu, 05 Nov 2009 18:14:53 +0000</pubDate>
		<dc:creator>Erik Kuna</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=10436</guid>
		<description><![CDATA[The new professional-level Quadro FX 4800 with 1.5 GB of memory brings a much-needed performance upgrade to the Mac Pro lineup.]]></description>
			<content:encoded><![CDATA[<p><strong>VISUAL COMPUTING FROM THE DESKTOP</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4point5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/novdec09/quadro_fx.jpg" alt="NVIDIA Quadro FX" title="NVIDIA Quadro FX" class="imgrt" />The new professional-level Quadro FX 4800 with 1.5 GB of memory brings a much-needed performance upgrade to the Mac Pro lineup. But why do you need a $1,799 graphics card? If you’re not a full-time design/graphics professional with a large budget, you probably don’t. But if you are, the timesaving and quality precision you’ll get with this card pays for itself in no time. </p>
<p>Where this card shines is the NVIDIA’s revolutionary new CUDA technology and Elemental Technologies Elemental Accelerator, which lets your system use all 192 GPU processor cores instead of just the typical eight cores in a Mac Pro CPU. Not only will your system benefit from the increased performance, using the GPU will speed up your workflow by freeing up your CPU to do other tasks. So, what does this mean for the Adobe Creative Suite professional? </p>
<p>Imagine being able to view After Effects’ nested compositions or rendering effects such as Bilateral Blur, Turbulent Noise, and Depth of Field Blur three to five times faster, or even seeing those effects in near real time as you make adjustments? Not to mention rendering the Cartoon Effect 38x faster with the GPU rather than CPU rendering. And it doesn’t stop there! You’re looking at massive speed increases in Photoshop CS4 vs. non-GPU accelerated computers, and the image’s interpolation quality far exceeds that of non-GPU-accelerated systems. In addition, the Elemental Accelerator allows Adobe Premiere to render H.264 movies using the GPU at faster-than-real-time speeds, which is pretty much unheard of with CPU rendering. Plus you’ll be able to render resized movies in half the time. </p>
<p>If you need a professional choice when it comes to workstation-level graphics on the Mac Pro, then look no further than the NVIDIA Quadro FX 4800.&mdash;<strong>Eric Kuna</strong></p>
<p><strong>Company:</strong> NVIDIA Corporation<br />
<strong>Price:</strong> $1,799<br />
<strong>Web:</strong> <a href="www.nvidia.com" target="_blank">www.nvidia.com</a><br />
<strong>Rating:</strong> 4.5</p>
<p><strong>Hot: </strong> GPU acceleration; CUDA technology; Elemental Accelerator<br />
<strong>Not: </strong> Limited GPU support outside Adobe Apps; cost </p>
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		<title>NIKKOR AF-S DX 35mm f/1.8G</title>
		<link>http://www.layersmagazine.com/nikkor-af-s-dx-35mm-f18g.html</link>
		<comments>http://www.layersmagazine.com/nikkor-af-s-dx-35mm-f18g.html#comments</comments>
		<pubDate>Wed, 01 Jul 2009 18:12:09 +0000</pubDate>
		<dc:creator>Mike Mackenzie</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=9076</guid>
		<description><![CDATA[If you’re a Nikon shooter and you’ve been contemplating buying a reasonably priced, professional prime lens, you should give serious consideration to the new NIKKOR AF-S DX 35mm f/1.8G.]]></description>
			<content:encoded><![CDATA[<p><strong>FAST, LIGHTWEIGHT PRIME LENS</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/nikkor_35mm_mike.jpg" alt="NIKKOR AF-S DX 35mm" title="NIKKOR AF-S DX 35mm" class="imgrt" />If you’re a Nikon shooter and you’ve been contemplating buying a reasonably priced, professional prime lens, you should give serious consideration to the new NIKKOR AF-S DX 35mm f/1.8G. What makes this lens so special? For less than $200, you get a fast, lightweight, well-made lens that features Nikon’s Silent Wave Motor, so focusing is quick and quiet. </p>
<p>The 35mm proved to be a versatile lens. With a minimum focusing distance of 12&#8243;, you can get close to flowers or any other subject for detail shots. I also used this lens at a quaint wildlife attraction with good results, especially in the dark reptile exhibit and the underwater viewing area.</p>
<p>The 35mm is a fantastic lens for photographing family gatherings. In my experience, a 50mm lens is a bit too long for intimate spaces and sometimes it’s not possible to back up enough to fit everything or everyone in the frame. This isn’t a concern with the 35mm lens. I used it in living rooms, at a restaurant, and on a back porch and never had an issue with the focal length. It’s easier to move a bit closer to frame a shot than to move a wall.</p>
<p>The lens is sharp at all f-stops, in all lighting conditions. Color and detail are incredible, and the bokeh is beautiful. I didn’t encounter lens vignetting, even when shooting with the included lens hood and sunlight coming from the side. There was no distortion in the images, and chromatic aberration was reasonably well controlled but did show up in photos with high-to-extreme contrast. It was faint but present. </p>
<p>If a wide-angle prime lens is in your future, have a look at the NIKKOR 35mm f/1.8G. You’ll be glad you did.<br />
&mdash;<strong>Mike Mackenzie</strong></p>
<p><strong>Company:</strong>	Nikon USA<br />
<strong>Price:</strong> $199.95<br />
<strong>Web:</strong> <a href="http://www.nikonusa.com" target="_blank">www.nikonusa.com</a><br />
<strong>Rating:</strong> 5<br />
<strong>Phone:</strong> 631-547-4200</p>
<h3>NIKKOR 35mm lens examples:</h3>
<p><em>Click on thumbnail for larger image</em>. All images © Mike Mackenzie </p>
<p><a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-1.jpg" title="Nikon D70s, NIKKOR 35mm, f/1.8" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-1_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-2.jpg" title="Nikon D70s, NIKKOR 35mm, f/8" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-2_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-3.jpg" title="Nikon D70s, NIKKOR 35mm, f/16" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-3_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-4.jpg" title="Nikon D70s, NIKKOR 35mm, f/22" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/kayaks-4_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/gate.jpg" title="Note slight chromatic aberration to right of surveillance sign" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/gate_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/fish.jpg" title="Example photo" class="thickbox"> <img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/fish_thumb.jpg" alt="example shot" /> <a href="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/portrait.jpg" title="Sample portrait" class="thickbox"><img src="http://www.layersmagazine.com/images/reviews/nikkon_35mm_mike/portrait_thumb.jpg" alt="example shot" /></p>
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		<title>PNY 32-GB Memory Card</title>
		<link>http://www.layersmagazine.com/pny-32-gb-memory-card.html</link>
		<comments>http://www.layersmagazine.com/pny-32-gb-memory-card.html#comments</comments>
		<pubDate>Mon, 08 Jun 2009 16:26:06 +0000</pubDate>
		<dc:creator>Erik Kuna</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=8590</guid>
		<description><![CDATA[In the digital age, when it comes to taking pictures or recording video, we don’t want to worry about capturing and storing our images.]]></description>
			<content:encoded><![CDATA[<p><strong>LARGE-CAPACITY CLASS 4 MEMORY CARD</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4point5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/pny_32gb.jpg" alt="PNY 32-GB" title="PNY 32-GB" class="imgrt" />In the digital age, when it comes to taking pictures or recording video, we don’t want to worry about capturing and storing our images. PNY has delivered a product to help in this regard: the 32-GB Optima Secure Digital High Capacity Memory Card. This card holds about 2,100 RAW or 4,300 JPEG Fine images from a 12-megapixel camera, or about 13 hours of SD and 4 hours of HD video, allowing you (in most cases) to shoot all day without offloading or switching cards. </p>
<p>I shot about 8,000 RAW images and 6 hours of HD video with my Nikon D90 and Canon HF10 cameras, taking this card through about 40 offloading cycles with no errors or corruption. The best part about this card, however, is its capacity. The convenience of being able to go out to a sports shoot and fire off pictures and video the whole event without switching cards is a beautiful thing.</p>
<p>Though not the subjects of this review, a couple of our in-house editors tested other cards from PNY: the 16-GB Optima Pro Secure Digital High Capacity and the 8-GB Optima Pro UDMA CompactFlash Ultra High Speed cards. The editors report: “The write speed is fast, the cards are solid, and the 16-GB card holds 560 RAW files from the 14.7-megapixel Canon G10. The 8-GB card holds about 1,400 RAW images from a 6.1-megapixel Nikon D70s. The cards were error-free and transparent, meaning we didn’t think about the cards at all because they simply worked.”&mdash;<strong>Erik Kuna</strong></p>
<p><strong>Company:</strong>	PNY Technologies<br />
<strong>Price:</strong> $149.99<br />
<strong>Web:</strong> <a href="http://www.pny.com" target="_blank">www.pny.com</a><br />
<strong>Rating:</strong> 4.5</p>
<p><strong>Hot: </strong> Capacity and price<br />
<strong>Not: </strong> Could be faster</p>
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		<title>Squeezebox Boom</title>
		<link>http://www.layersmagazine.com/squeezebox-boom.html</link>
		<comments>http://www.layersmagazine.com/squeezebox-boom.html#comments</comments>
		<pubDate>Fri, 22 May 2009 20:40:32 +0000</pubDate>
		<dc:creator>Steve Baczewski</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=8255</guid>
		<description><![CDATA[Logitech’s Squeezebox Boom is an all-in-one music player that can stream music to any room in your house over an 802.11g wireless network.]]></description>
			<content:encoded><![CDATA[<p><strong>IMPRESSIVE SOUND FROM A LITTLE BOX</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4point5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/mayjune09/boom.jpg" alt="Squeezebox Boom" title="Squeezebox Boom" class="imgrt" />Logitech’s Squeezebox Boom is an all-in-one music player that can stream music to any room in your house over an 802.11g wireless network. It delivers impressive, distortion-free sound over its integrated 30-watt amplifier via two ¾&#8221; tweeters and two 3&#8243; woofers.</p>
<p>The compact box measures 5(H)x13(W)x4(D)&#8221;. On the front between the speakers are a large fluorescent display and a clearly labeled control panel with a large rubberized navigation wheel for scrolling through the menus. On the top is a snooze bar. The magnetized remote can snap onto a refrigerator or in the well on the Boom’s top. On the back are jacks for connecting an MP3 player, headphones, external subwoofer, and Ethernet in lieu of Wi-Fi. Setup is straightforward: plug in the power cord and follow the setup wizard on the display. Once online, the Boom downloads the latest firmware.</p>
<p>Logitech provides two comprehensive, easy-to-use music sources. The first is Logitech’s SqueezeCenter application, which allows you to stream from your personal music library stored on your computer. SqueezeCenter accessed all my songs from iTunes except for DRM-encrypted music. The second is SqueezeNetwork, which is Logitech’s free Internet-based music service. SqueezeNetwork’s thorough list of radio stations is broken down into music genres, podcasts, and free services. Your favorite stations can quickly be assigned to one of the six preset buttons on the Boom’s control panel. You can also store your own music collection in an online MP3 music locker.</p>
<p>The Squeezebox Boom supports nearly every audio format including AAC, WMA, MP3, AIFF, WAV, etc. Squeezebox Boom generally performed very well, but was sometimes sluggish connecting to a station. The sound is remarkable.&mdash;<strong>Steve Baczewski</strong></p>
<p><strong>Company:</strong>	Logitech<br />
<strong>Price:</strong> $299.99<br />
<strong>Web:</strong> <a href="http://www.logitech.com" target="_blank">www.logitech.com</a><br />
<strong>Rating:</strong> 4.5</p>
<p><strong>Hot: </strong> Crystal-clear sound anywhere<br />
<strong>Not: </strong> Nonintuitive menus; no battery option; no handle for transporting</p>
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		<title>Nikon D5000</title>
		<link>http://www.layersmagazine.com/nikon-d5000.html</link>
		<comments>http://www.layersmagazine.com/nikon-d5000.html#comments</comments>
		<pubDate>Thu, 21 May 2009 20:48:44 +0000</pubDate>
		<dc:creator>Steve Baczewski</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=8400</guid>
		<description><![CDATA[The new 12.3-megapixel Nikon D5000 is targeted at people stepping up to a digital SLR from a point-and-shoot.]]></description>
			<content:encoded><![CDATA[<p><strong>ENTRY-LEVEL DIGITAL SLR WITH ARTICULATED LCD</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/d5000.jpg" alt="Nikon D5000" title="Nikon D5000" class="imgrt" />The new 12.3-megapixel Nikon D5000 is targeted at people stepping up to a digital SLR from a point-and-shoot. It includes an articulated 2.7&#8243; LCD, a first for a Nikon digital SLR, so it will look familiar to users making the transition. The D5000 shares some features with the higher-end D90, including the image sensor, Live View, and the ability to record 720p HD movies. The articulated LCD makes using Live View and recording movies from multiple angles much more practical. </p>
<p>The D5000 incorporates an effective Airflow Control System to remove dust from the sensor; has a shutter life of more than 100,000 shots; can shoot continuously at a respectable four frames per second (fps); uses SD and SDHC memory cards; and records RAW and JPEG formats alone or in combination. The EXPEED processor features practical, in-camera, postcapture effects, such as Soft Filter and Color Outline, Perspective Control, active D-Lighting to optimize shadow and highlight detail, and correction of lateral JPEG chromatic aberrations. The image quality is very good; however, I have a plea to all camera manufacturers: If you create yet another proprietary RAW format for your cameras, please don’t release the camera until the RAW format is supported and ready to go. Buying a new camera and then waiting until the proprietary format is supported is not practical for users. This was the case with the D5000. I shot and printed only high-quality JPEGS. Thankfully, the sensor has a relatively wide dynamic range and image quality was very good.</p>
<p>The test unit included a very good, inexpensive NIKKOR 18–55mm, f/3.5–5.6 VR kit lens. Unfortunately, the D5000 doesn’t have an internal autofocus motor to support older NIKKOR lenses. The lightweight D5000 has a pop-up flash and hot shoe for the optional flash and GPS units. The shutter is quiet, the grip is comfortable, and the mode dial and controls are in convenient reach. The mode dial has the standard Program, Shutter, Aperture, and Manual modes, plus 19 auto preset scene modes. The movie and Live View mode share a dedicated button. An information button accesses an onscreen manager for adjusting frequently used features, allowing you to avoid unnecessary menu scrolling. The ISO range is from 200 to a 3200, with a Lo-1 setting of 100 and a Hi-1 setting of 6400. It produces files capable of making quality 13&#215;19&#8243; prints. </p>
<p>You can capture AVI-format video at 1280&#215;720p HD, 640&#215;424, or 320&#215;216, all at 24 fps. Sound is monaural. While recording video, continuous autofocus isn’t available, so you’re left adjusting the focal length and focus of your zoom manually, which I found clumsy. You can shoot a still frame while recording a movie but that ends the recording—an implementation that seems to defeat the purpose. Although video capture is a big advance and the HD quality is good, it’s limited to 2 GB or five minute sequences, making it more a fresh novelty than a profession tool. HDMI output connectivity is included.</p>
<p>The 230,000-dot, low-resolution LCD is unconventionally hinged at the bottom, limiting its movements when mounted on a tripod. Otherwise, it swings down 180° and rotates 270° for composing high- or low-angle shots. You can even take a self-portrait using Live View. I hope Nikon’s next iteration of Live View will include a live histogram for making precision exposures. The low-resolution LCD makes it difficult to judge detail and focus in open sunlight. Live View uses contrast detection for focusing and is slow compared to the responsive 11-point AF sensors in the optical viewfinder. The D5000 performs very well, produces quality files, and is a giant leap from a point-and-shoot.&mdash;<strong>Steve Baczewski</strong></p>
<p><strong>Company:</strong>	Nikon USA<br />
<strong>Price:</strong> $729.95 (Body only); $849 (w/18–55mm VR kit lens)<br />
<strong>Web:</strong> <a href="http://www.nikonusa.com" target="_blank">www.nikonusa.com</a><br />
<strong>Rating:</strong> 4</p>
<p><strong>Hot: </strong> Articulated LCD; excellent image quality<br />
<strong>Not: </strong> No autofocus with video; low-res LCD</p>
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		<title>HP Photosmart B8550 Printer</title>
		<link>http://www.layersmagazine.com/hp-photosmart-b8550-printer.html</link>
		<comments>http://www.layersmagazine.com/hp-photosmart-b8550-printer.html#comments</comments>
		<pubDate>Wed, 20 May 2009 21:08:42 +0000</pubDate>
		<dc:creator>Dave Huss</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=8250</guid>
		<description><![CDATA[The first thing I noticed about this HP printer was its overall sleek design, making it appear as if it had been designed by Apple rather than in a former Soviet Bloc tank factory.]]></description>
			<content:encoded><![CDATA[<p><strong>PHOTO INKJET OFFERS QUALITY RESULTS</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/mayjune09/hp_b8550.jpg" alt="HP Photosmart B8550" title="HP Photosmart B8550" class="imgrt" />The first thing I noticed about this HP printer was its overall sleek design, making it appear as if it had been designed by Apple rather than in a former Soviet Bloc tank factory. Looks aside, the HP Photosmart B8550 offers features such as dual paper trays and a built-in card reader with a 2.4&#8243; LCD that’s designed to allow printing without a computer (though I don’t see a pro using that feature).</p>
<p>The B8550 uses a dye-based, five-ink printing system to produce archive-quality images with an expected 100-year lifetime, which is a lot longer than the life span of any client. I had some doubts about how prints would stack up against printers offering more inks, but I was pleasantly surprised at how good the B8550 prints appeared. The colors were vivid and the detail was sharp.</p>
<p>The B8550 uses a dedicated black cartridge for nonphoto work, which means I can use the same printer to print invoices from the main paper tray and photos from the upper photo tray (max size 5&#215;7&#8243;) without swapping paper—a very thoughtful feature. (The lower tray can also be used to print photos.) The B8550 can print images up to 13&#215;19&#8243; (super tabloid). When printing standard photo sizes, the speed of the printer and cost per copy appear competitive with others in its class.</p>
<p>Overall, I like the look and feel of the printer. I was able to achieve excellent color accuracy and quality. Its price ($249.99) and feature set make it appear to be positioned as a high-end consumer printer but it would also serve the professional for a majority of the prints used in wedding and portrait work.&mdash;<strong>Dave Huss</strong></p>
<p><strong>Company:</strong>	Hewlett-Packard<br />
<strong>Price:</strong> $249.99<br />
<strong>Web:</strong> <a href="http://www.hp.com" target="_blank">www.hp.com</a><br />
<strong>Rating:</strong> 5</p>
<p><strong>Hot: </strong> Dual paper trays; low price<br />
<strong>Not: </strong> </p>
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		<title>Epson Perfection V300 Photo Scanner</title>
		<link>http://www.layersmagazine.com/epson-perfection-v300-photo-scanner.html</link>
		<comments>http://www.layersmagazine.com/epson-perfection-v300-photo-scanner.html#comments</comments>
		<pubDate>Tue, 12 May 2009 20:28:01 +0000</pubDate>
		<dc:creator>Steve Baczewski</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=8228</guid>
		<description><![CDATA[The Epson Perfection V300 Photo flatbed scanner comes with impressive stats, easy-to-use software, quick scan times, and for less than $100 it’s quite a bargain.]]></description>
			<content:encoded><![CDATA[<p><strong>GREAT SCANS AT A GREAT PRICE</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/4point5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/mayjune09/v300.jpg" alt="Epson Perfection V300" title="Epson Perfection V300" class="imgrt" />The Epson Perfection V300 Photo flatbed scanner comes with impressive stats, easy-to-use software, quick scan times, and for less than $100 it’s quite a bargain. It scans documents and 35mm transparencies at up to 48 bits at an optical resolution up to 4,800 dpi (dots per inch). It uses an LED light source that consumes less power, diminishes warmup times, and enables fast scan speeds.</p>
<p>The USB 2 scanner measures 16.9(L)x11(W)x2.2(H)&#8221; with a scanning bed that measures 8.5&#215;11.7&#8243;. The front control panel has several one-touch buttons with specific tasks, such as scanning documents to email or converting documents to PDF files. The lid houses a built-in light unit for scanning 35mm negatives and slides. The included 35mm plastic film holder can hold a six-frame filmstrip and four slides. The lid also lifts to accommodate scanning books or 3D objects.</p>
<p>The Epson Scan software covers the bases. It has a fully automatic option for beginners and a professional mode with a plethora of controls. A new office mode optimizes scanning text. The software does a good job restoring color to old faded photographs, removing dust, and correcting for back lighting. Results of both reflective copy and film scans were impressive—accurate colors, good shadow and highlight detail, and smooth gradients. Text was very clean and crisp. It took a snappy 25 seconds to scan a 35mm transparency at 1,200 dpi at 48 bits.</p>
<p>The Epson Scan software can work as a standalone application or as a plug-in for third-party imaging programs. There’s an issue using the V300 with Adobe CS4 on Intel-based Macs. In CS4 there’s no TWAIN plug-in for accessing scanners such as the Perfection V300. Adobe is aware of this and has posted several workarounds to resolve the issue.&mdash;<strong>Steve Baczewski</strong></p>
<p><strong>Company:</strong>	Epson America, Inc.<br />
<strong>Price:</strong> $99.99<br />
<strong>Web:</strong> <a href="http://www.epson.com" target="_blank">www.epson.com</a><br />
<strong>Rating:</strong> 4.5</p>
<p><strong>Hot: </strong> Impressive scans; inexpensive<br />
<strong>Not: </strong> No option for scanning larger than 35mm film format</p>
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		<title>Mercury Elite-AL Pro</title>
		<link>http://www.layersmagazine.com/mercury-elite-al-pro.html</link>
		<comments>http://www.layersmagazine.com/mercury-elite-al-pro.html#comments</comments>
		<pubDate>Mon, 06 Apr 2009 16:24:42 +0000</pubDate>
		<dc:creator>Issac Stolzenbach</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=7346</guid>
		<description><![CDATA[Do you just need a dependable backup solution? Have we found the drive for you.]]></description>
			<content:encoded><![CDATA[<p><strong>FAST AND RELIABLE EXTERNAL HARD DRIVE</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hr_singlestacked.jpg" alt="Mercury Elite-AL Pro" title="Mercury Elite-AL Pro" class="imgrt" />Did you invest in a new camera and now you tremble each time you take a shot, fearing you’ll lose more hard drive space? Do you find yourself with less and less room for Photoshop to use as a scratch disk? Do you just need a dependable backup solution? Have we found the drive for you.</p>
<p>After one full year of testing Other World Computing’s (OWC) Mercury Elite-AL Pro 1-TB external hard drive, we relay our report with the utmost confidence: It’s a rock-solid unit that accesses, reads, and transfers data consistently and quickly (because of its 7200-RPM drive speed, 32-MB data-transfer cache, and robust Oxford chipset). Moreover, it operates with plug-it-in-and-forget-it ease. </p>
<p>The high quality of this unit ensures the safety of whatever you wish to store on it through its two FireWire 400 ports and one USB 2 port. You can use that extra FireWire port to daisy-chain your drives to create a massive storage depot. (Note: There’s a FireWire 800/400+eSATA+USB 2 combination available from the OWC website for a few bucks more—reviewed in Photoshop User, November 2005, p. 85.) </p>
<p>We tested this unit when it first arrived, and once again a year later; the results were spot on, nary losing a millisecond in transfer speeds after running all that time (and even after a couple of spills when we thought it was disconnected from the laptop). Using the USB 2 connector port on a MacBook Pro, we were able to transfer about 15-GB of data in just under 9 minutes. The same information, using the FireWire 400 cable and an iMac, transferred in 7 minutes 20 seconds. </p>
<p>Reliable storage that’s affordable to boot, the Mercury Elite-AL Pro comes highly recommended for all your digital-professional needs.<br />
&mdash;<strong>Issac Stolzenbach</strong></p>
<p><strong>Company:</strong>	Other World Computing<br />
<strong>Price:</strong> $179.99 (1000 GB tested)<br />
<strong>Web:</strong> <a href="http://www.macsales.com">www.macsales.com</a><br />
<strong>Rating:</strong> 5<br />
<strong>Phone: </strong> 800-275-4576<br />
<strong>Platform: </strong> Mac and Windows</p>
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		<title>Dell Precision M6400</title>
		<link>http://www.layersmagazine.com/dell-precision-m6400.html</link>
		<comments>http://www.layersmagazine.com/dell-precision-m6400.html#comments</comments>
		<pubDate>Mon, 06 Apr 2009 15:12:10 +0000</pubDate>
		<dc:creator>RC</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=7241</guid>
		<description><![CDATA[This mobile workstation is a beast. Lots of computing power with portability.]]></description>
			<content:encoded><![CDATA[<p>This mobile workstation is a beast. Lots of computing power with portability. <span id="more-7241"></span> </p>
<p>Visit <a href="http://www.dell.com/content/products/productdetails.aspx/workstation-precision-m6400?c=us&#038;cs=04&#038;l=en&#038;s=bsd" target="_blank">www.dell.com</a> for more information about this product. </p>
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		<title>HP Z800 and Z600 Workstations</title>
		<link>http://www.layersmagazine.com/hp-z800-and-z600-workstations.html</link>
		<comments>http://www.layersmagazine.com/hp-z800-and-z600-workstations.html#comments</comments>
		<pubDate>Mon, 30 Mar 2009 20:28:18 +0000</pubDate>
		<dc:creator>Chris Main</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Product Reviews]]></category>

		<guid isPermaLink="false">http://www.layersmagazine.com/?p=7009</guid>
		<description><![CDATA[We recently had the opportunity to test the Z800 and Z600 Workstations and put them through a series of tests.]]></description>
			<content:encoded><![CDATA[<p><strong>HP TAKES POWER, PERFORMANCE, AND DESIGN TO THE NEXT LEVEL</strong><br />
<img src="http://www.layersmagazine.com/reviews/images/stars/5.gif"/></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/hp_logo.jpg" alt="HP Logo" title="HP Logo" class="imgrt" />Hewlett-Packard’s new Z-series Workstations consist of three computers: the base Z400, the midrange Z600, and the top-of-the-line Z800. We recently had the opportunity to test the Z800 and Z600 Workstations and put them through a series of tests. (<a href="http://www.layersmagazine.com/the-new-hp-z-workstations.html">For more information on Z Workstations and the HP press event, click here.</a>)</p>
<p>The Z800 arrived first and our initial impression was that it’s a substantial machine. The case features brushed aluminum sides and integrated carrying handles. (HP claims that even with the addition of the handles, they were able to keep the chassis the same size as previous workstations to make it easier for customers who rackmount their workstations.) Lift the hinge on the left side of the computer and the entire side panel comes off to reveal the nuts and bolts of the machine. Actually, at first glance there’s a conspicuous lack of nuts, bolts, and wiring in the Z800 because the components are modular, so you can easily remove and reconnect them, and everything else is neatly tucked away behind access panels. (We often found ourselves pulling off the side panel to show off the slick inside design of the Z800.)</p>
<p>The Z600 is noticeably smaller than the Z800, though it’s still not a small computer. Lift the hinge on the side, remove the stainless panel, and you’ll see plenty of modular components, but the Z600 lacks the panels of the Z800. Everything inside is neatly laid out and easy to access. (Optional liquid cooling will be available later this year for the Z400 and the Z800, but not the Z600. HP states that due to the small footprint of the Z600 and the fact that airflow has been completely optimized that liquid cooling would have no effect on the noise output.)</p>
<p>Both models come with the same keyboard, which everyone seemed to be impressed with. It has a very solid feel and the keys have a nice tactile touch. We had both computers running into an HP LP3065 monitor provided for testing. This 30&#8243; widescreen display is very bright (we had to turn down the Brightness) and shows incredible detail. </p>
<p>The workstations are easy to set up and we had both the Z600 and Z800 running in a matter of minutes. (When we first turned on the Z800, we thought an airplane was taking off, but it soon quieted to a very acceptable level. Our first order of business was to install the Adobe Master Collection on both computers. The complete install (all four discs using disk images to take the optical drives out of the equation) took about 23 minutes on the Z800. That’s fast. What totally took us by surprise was that the same install took just a little more than 16 minutes on the Z600. Additional NovaBench testing confirmed that both computers performed similarly, with the Z600 just a touch faster in this test as configured. And that’s the key—as configured. The Z600 we tested represents a nearly maxed version of that model, the Z800 still has plenty of room to grow. (See table below for specifications.) </p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/hp800.jpg" /><br />
<em>First Z800 Score</em></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/hp800_hyper.jpg" /><br />
<em>Z800 with Hyperthreading Enabled</em></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/hp600.jpg" /><br />
<em>Z600</em></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/twillis_3400.jpg" /><br />
<em>Dell Score Used as Reference</em></p>
<p>The Z800 is all about expandability. While no slouch at more than $10,000, there are plenty more boxes to check when ordering a Z800, and more will be available by the end of the year. HP’s plans for the Z800 include available (read optional) solid state drives, water cooling, up to 7.5 TB of storage, and up to an unbelievable 192 GB of RAM. The great thing is you don’t have to wait to order; these options can be added to any Z800 at any time.</p>
<p>So how do these two computers perform in the real world? To answer this question, we did a sequence rendering of the same 1280&#215;720 animation using Adobe Premiere Pro on both machines. (The full animation specs are 1280&#215;720, square pixel, progressive scan, 29.97 fps, 16-bit stereo, 4:58 length, 457-MB file.) The Z800 handled the task in 1:13, while the Z600 took 1:37. We then tested the same file on our Dell with dual Intel Core 2 Extreme X9650 3.0 GHz processors, 1 TB drive, 4 GB of RAM, running Windows Vista-32 Ultimate. This file rendered in 2:32. </p>
<p>Bench tests are one thing, but when it comes to working in the real world, the Z800 is significantly faster. We performed several other rendering tasks and achieved similar results. It soon became obvious that the larger the file, the greater the separation in performance.</p>
<p>We plan to update this review with more benchmark and real-world speed tests, so check back for new information. If there are any tests you’d like us to perform on these machines, or if you have any questions, just drop us a comment below and we’ll do our best to accommodate your requests.&mdash;<strong>Chris Main and Mike Mackenzie</strong></p>
<p><img src="http://www.layersmagazine.com/images/reviews/hp_033009/review_graphic.jpg" /></p>
<p><strong>Company:</strong>	Hewlett-Packard<br />
<strong>Price:</strong> Z800: Starting at $1,999 ($10,787 as tested); Z600: Starting at $1,679 ($9,071 as tested)<br />
<strong>Web:</strong> <a href="http://www.hp.com">www.hp.com</a><br />
<strong>Rating:</strong> 5<br />
<strong>Hot: </strong> Modular design; easy to service and upgrade<br />
<strong>Not: </strong> -</p>
<h2>UPDATE—3/31/09</h2>
<p>As we mentioned in the article covering the press event announcing Z Workstations, the Z600 that we reviewed here was maxed out to compete with workstations from other manufacturers. Thus, the prices noted above for the Z600 configuration is most probably beyond the price range of the average consumer. HP was kind enough to provide us with info on a more modest configuration. Though we didn’t test this unit, the configuration is still impressive, and we can only imagine that real-world performance would boost anyone’s productivity.</p>
<p>Midrange Z600 pricing: $3,900</p>
<p>•	HP Z600 650W 85% Efficient Chassis<br />
•	Intel Xeon E5520 2.26 8 MB/1066 QC<br />
•	Intel Xeon E5520 2.26 8 MB/1066 QC<br />
•	NVIDIA Quadro FX1800<br />
•	HP 6 GB (6&#215;1 GB) DDR3-1333 ECC RAM<br />
•	160 GB SATA 7200 rpm<br />
•	500 GB SATA 7200 rpm (Data volume)<br />
•	16x DVD+/-RW SuperMulti SATA<br />
•	Microsoft Windows Vista Business 64-bit<br />
•	1394a card</p>
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