| The following tutorial is courtesy of "The
Photoshop CS 2 Book for Digital Photographers" by
Scott Kelby |
Before Photoshop CS2’s introduction of the Vanishing Point filter, cloning away things in perspective was one of the hardest removal tasks of all. Luckily, this incredibly cool filter not only simplifies removing things in perspective, it actually makes it fun. In fact, this is one of those filters that’s so amazing, you can wind up spending hours cloning away things that have no business being cloned away. Don’t say I didn’t warn you.
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| STEP 1 |
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| Here’s a photo of my buddy Dave Moser.
We were shooting the International Car Show on press day
(which is why you only see cleaning crew in the background),
and Dave was lying on his back shooting a Hummer H2 that
was positioned on an angle. Where’s Dave’s tripod,
you might ask? I asked the same question, but apparently
Dave doesn’t mind camera shake (kidding). Anyway, since
he didn’t use a tripod, he should be cloned out of
this photo to hide the evidence. Start by clicking on the
Create a New Layer icon in the Layers palette so we can do
our cloning work on a new blank layer. |
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| STEP 2 |
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| Go under the Filter menu and choose Vanishing
Point (it’s near the top). First, you have to define
the angle of perspective by drawing with the Create Plane
tool (C). (Don’t let the fancy name throw you—you
use it pretty much like you would the Polygonal Lasso tool.)
Just click where you want to start, and keep clicking at
angles to create your selection. (Here, I clicked halfway
down the road along the carpet’s edge, clicked at the
end of the carpet at the bottom of the image, and then clicked
again where I thought the road’s yellow line would
end.) |
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| STEP 3 |
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| Now use the tool to trace down the yellow line.
You can pretty much see what’s going on here—I’m
simply tracing the area that has the perspective angle of
the photo. |
| TIP |
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| When you’re placing these points far
away (like I am here), you can temporarily zoom in to make
sure you’re lining them up correctly by pressing the
letter X. |
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| STEP 4 |
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| When you reach the original point you started
with, a blue grid will appear. Well, hopefully it’s
a blue grid. If it’s blue, it means you drew it correctly,
and Vanishing Point is happy with you. If it’s yellow,
it means that you’re close, and it may work, but you’d
be better off switching to the Edit Plane tool (V) (it looks
like an arrow) and adjusting your points until they turn
blue. If your grid outline turns red, it’s a bad grid
(your perspective isn’t right), and you’ll need
to tweak the points until it’s right. |
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| STEP 5 |
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| Once your blue grid is in place, you can stretch
it to cover the object you want to remove. Just click on
one of the center points using the Edit Plane tool, and drag
in the direction you want the grid to spread. In the example
shown here, I grabbed the right-center point and dragged
it over to the right until Dave’s legs and feet were
covered. |
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| STEP 6 |
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| Press S to switch to the Stamp tool (it looks
like the Clone Stamp tool), and the grid in the center will
go away, leaving just the Blue outline to show the boundaries
of the grid. Option-click (PC: Alt-click) on a straight line
in your image (if possible) to help you line things up. In
this case, I Option/Alt-clicked on the line where the black
and gray carpets meet. |
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| STEP 7 |
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| Now, just move up that line and click to start
painting. As you do, the unwanted object (Dave) is removed,
and the cloning automatically adjusts for the perspective.
In this example, you can see how the white line automatically
shrinks as it moves away. |
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| STEP 8 |
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| Like the regular Clone Stamp tool, if you paint
too far, it starts cloning over itself (meaning it’s
picking up other objects) so just paint a little bit (say 1/2” or
so); then move to a different area, Option/Alt-click again,
and this time clone over the legs. Again, just clone away a
little of his legs at a time—don’t try to remove
them all at once, or you’ll start cloning objects back
in. |
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| STEP 9 |
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| Continue using this technique to clone away other
unwanted areas. Remember to Option/Alt-click several times
to keep the retouch looking random, and to keep from “repeat” cloning.
When it looks good to you, click OK in the dialog. Since the
cloning will appear on a separate layer, you can adjust it
or easily erase any extra areas (if you cloned too large an
area, for example). With the perspective right on the money,
Vanishing Point works wonders. |
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| TIP |
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| If you notice any repeating patterns in your
cloning, just click on to Layer 1, get the Patch tool (Shift-J),
draw a selection around one of the repeating patterns, drag
the selection into a new area on that layer, and the repeating
pattern will be removed. Press Command-D (PC: Control-D) to
deselect. |
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