| The following tutorial is courtesy of Photoshop User magazine |
I saw this effect used on the graphic on the side of a delivery truck. The truck was from a service that
delivered just about anything, and the graphic made it look like the corner of the truck was being
peeled or curled back so that you could see the boxes stacked up inside—pretty clever. It got me
thinking about how you’d do that in Photoshop CS2 now that it has an image warp feature.
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| STEP 1 |
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| First open the photo to which you want to apply
the effect. We used a royalty-free stock photo of a panel truck,
courtesy of our friends at iStockphoto. Now open the photo that will appear
under the peeled-back corner (in our example, a couch). Once
the couch image is opened, press Command-A (PC: Control-A)
to select the entire photo, then press Command-C (PC: Control-
C) to copy it into memory. Close the couch image as we
won’t need it again. |
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| STEP 2 |
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| Get the Polygonal Lasso tool (the one that makes
straight line selections) and draw a selection around the large
rectangular side of the truck. Once your selection is in place,
go under the Edit menu and choose Paste Into, to paste the
couch image into your selection. The couch will be too large,
so press Command-T (PC: Control-T) to bring up Free Transform.
Hold the Shift key, then grab a corner point and drag
inward to scale the photo down to size. Position it near the
back of the side panel, as shown, then press Return (PC: Enter)
to lock in your transformation. |
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| STEP 3 |
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| Now open the image that will go on top (we used
this cloud image). This is the image that will have its corner
curled back. Select All and copy it into memory, just as we did
with the couch image in Step One. Close the clouds image. |
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| STEP 4 |
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| Now return to the Truck image. Hold the Command
key (PC: Control key) and click once directly on the black
mask thumbnail that appears to the right of Layer 1 in the Layers
palette. This brings back your original selection of the side
of the truck. Now go under the Edit menu and choose Paste
Into to paste the clouds into your selected area (you can see
them pasted in here). This creates Layer 2 with its own mask.
But you no longer need this mask so in the Layers palette, click
directly on the mask for Layer 2 (as shown here) and drag it to
the Trash icon at the bottom of the Layers palette. A dialog will
appear asking what you want to do with this mask. Click on
Apply to permanently trim your sky image down to size. |
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| STEP 5 |
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| Get the Rectangular Marquee tool (M) and drag a
small rectangular selection around the bottom-right corner
of your clouds layer. Then press Command-T (PC: Control-T)
to bring up Free Transform (you can see the Free Transform
handles appear around the area you selected). Now Controlclick
(PC: Right-click) inside the Free Transform bounding
box and a pop-up menu of transformations will appear.
Choose Warp. |
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| STEP 6 |
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| This brings up a nine-square grid around your
selected area (seen here). To peel back the corner, grab the
bottom right-hand corner point on the grid and drag diagonally
up and to the left (as shown) to curl the corner back.
The point of the curl is too, well...pointy, but you’re going to
fix that in the next step by using the two adjustment handles
that extend downward and to the right from your corner
point (you can see them here—they kind of form a V). |
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| STEP 7 |
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| Now take the left V handle point and drag upward
to smooth out that corner. Do the same for the right V handle
point—dragging upward until the curl doesn’t look so pointy.
Once you try this, you’ll see that it’s pretty intuitive, and as
you move these control handles, you’ll get instant feedback so
you’ll be able to see what’s going on as you drag. Once it looks
about right, press Return (PC: Enter) to commit your Warp.
Press Command-D (PC: Control-D) to deselect. Now add a layer
beneath the clouds layer (but above your couch layer). Set black
as your Foreground color, then select the Brush tool (B). Use a softedged
brush, lower the Brush’s Opacity (up in the Options Bar)
to 40%, and paint a stroke right along the edge of the bend,
so it casts a shadow onto the couch (you can see this better
in the next step). |
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| STEP 8 |
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| Our clouds graphic covered up all the rivets on
the truck and the top-right corner tail light. Normally, we’d
just lower the Opacity of the clouds layer so you could see
them a little, but if we did that now, you’ll also see the rest of
the couch, so this will take an extra step. Hold the Command
key (PC: Control key) and in the Layers palette, click directly
on the thumbnail for the clouds layer. This puts a selection
around the clouds (corner curl and all). Now click directly on
the black layer mask thumbnail that appears to the right of
Layer 1 (the couch layer). Make sure your Foreground color is
set to black, then press Option-Delete (PC: Alt-Backspace) to
fill everything but the corner of the sofa with a black mask.
Deselect by pressing Command-D (PC: Control-D). |
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| STEP 9 |
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| Just a couple of things to finish up. First add
some type with the Type tool (T). We used the font Helvetica
Regular at 24 points, with the tracking set to -25 in the
Character palette and the Opacity of the Type layer lowered
to 65%. (The Type layer needs to be at the top of the layer
stack.) Then in the Layers palette, switch to the clouds layer
and lower the Opacity to 65%, so that the rivets and the
shadows at the top side of the truck begin to show through.
Lastly, get the Lasso tool and put a selection around just the
little page curl, then press Command-L (PC: Control-L) to
bring up the Levels dialog. Drag the top-left Shadow slider
to the right to darken your selected corner curl and click OK.
Then deselect to give you the final image shown here. |
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